Enzo Petito's Filmography on TV

Good Bad and Ugly (1966)

While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

The Good, the Bad and the Ugly (1966)

While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Good Bad Ugly (1966)

While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

The Good The Bad And The Ugly (1966)

While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Good Bad & Ugly (1966)

While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

The Good, the Bad, and the Ugly (1966)

While the Civil War rages between the Union and the Confederacy, three men – a quiet loner, a ruthless hit man and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Il buono, il brutto, il cattivo (1966)

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Io, io, io... e gli altri (1966)

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

I quattro monaci (1962)

Four petty criminals pretend to be friars escaped from communist Hungary and go and live in a Sicilian convent

Anni ruggenti (1962)

In this satire inspired by Nikolai Gogol’s The Government Inspector (aka The Inspector General) and transported to fascist era Italy, the (supposed) incognito visit of a Roman fascist official to a tiny country town shakes deeply the ruling class and their lack of integrity.