William Meader's Filmography on TV

Non mandarmi fiori! (1964)

At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man's diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn't tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he's not dying at all (while he doesn't) and she believes it's just a lame excuse to hide an affair, so she decides to leave him.

Consent (1962)

Proposed by the President of the United States to fill the post of Secretary of State, Robert Leffingwell appears before a Senate committee, chaired by the idealistic Senator Brig Anderson, which must decide whether he is the right person for the job.

Lover Come Back (1961)

Jerry Webster and Carol Templeton are rival Madison Avenue advertising executives who each dislike each other’s methods. After he steals a client out from under her cute little nose, revenge prompts her to infiltrate his secret "VIP" campaign in order to persuade the mystery product’s scientist to switch to her firm.

Judgment at Nuremberg (1961)

In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.

Pocketful of Miracles (1961)

A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.

Angeli con la pistola (1961)

A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.

Colazione da Tiffany (1961)

Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.

Sette strade al tramonto (1960)

Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - Sullivan passes up several chances to get away - but in the end Sullivan "asks for it" and Murphy obliges.

The Killer Diamond (1960)

Jack Diamond and his sickly brother arrive in prohibition New York as jewelry thieves. After a spell in jail, the coldly ambitious Diamond hits on the idea of stealing from thieves himself and sets about getting close to gangster boss Arnold Rothstein to move in on his booze, girls, gambling, and drugs operations.

Yuzen (1958)

An Italian socialite on the run signs on as housekeeper for a widower with three children.