Rajaram Vankudre Shantaram's Filmography on Tv
Find list of movies directed by Rajaram Vankudre Shantaram on tv. Select any movie link to find details about the movie. Movies are sorted in decreasing order of release date i.e. movie with latest release date is shown first.
Geet Gaaya Patharonne (1964)
An impoverished sculptor marries his inspiration but is then betrayed by her.
Geet Gaya Patharon Ne (1964)
An impoverished sculptor marries his inspiration but is then betrayed by her.
Navrang (1959)
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longe
Jhanak Jhanak Payal Baaje (1955)
Dancer maestro Mangal Maharaj wants his son, Girdhar, who is a dancer par excellence, to enter the once-in-ten-years Nateshwar Utsav dance competition, win it, and be crowned the Bharat Natraj. While Girdhar can do a solo dance number, he is also required to dance the Shiv-Parvati Tandav dance with a female partner. Mangal Maharaj would like Roopkala to be his partner, but ends up being disappointed with her. Now with only a year left for the Utsav, he chances upon talented dancer and singer, Ne
Amar Bhoopali (1952)
Veteran director V. Shantaram spins this bio-pic about poet and musician Honaji Bala -- best know for popularizing the lavani dance form and for writing the classic raga Ghanashyam sundara shirdhara -- who reached the zenith of his creative powers just as the Maratha empire was collapsing to British invasion forces. The film shows not only Bala's passionate interest in lavani, but also his passionate interest in prostitutes -- particularly a beautiful dancer named Tamasha (Sandhya). As the Pune
Shejari (1941)
The story is set in a small village in India where the villagers of different communities live in harmony. Pandit (Mazhar Khan) a Hindu, and Mirza (Gajanan Jagirdar) a Muslim, are two old friends who function as the village elders and look out for each other's families. An industrialist, Onkar, arrives to construct a dam in the village. He is opposed by the two friends and the other villagers. Onkar decides to create distrust and disunity between the two communities and friends. When a house is
Shejari Shejari (1941)
The story is set in a small village in India where the villagers of different communities live in harmony. Pandit (Mazhar Khan) a Hindu, and Mirza (Gajanan Jagirdar) a Muslim, are two old friends who function as the village elders and look out for each other's families. An industrialist, Onkar, arrives to construct a dam in the village. He is opposed by the two friends and the other villagers. Onkar decides to create distrust and disunity between the two communities and friends. When a house is
Kunku (1937)
Neera (Apte) is trapped into marrying an old widower Kakasaheb (Date). He is a progressive lawyer with a son and daughter of Neera's age. Neera refuses to consummate the union claiming that while suffering can be borne, injustice cannot. Neera faces many hurdles including her mother-in-law and a lascivious stepson Pandit (Nene).
Genres
#Drama
Amrit Manthan (1934)
This classic opens with a sensational low-angle circular track movement as Chandika cult followers meet in a dungeon of flickering lights and deep shadow. As the more rationalist King Krantivarma (Varde) banned human or animal sacrifices from the increasingly fanatical festivals dedicated to the goddess, the cult's high priest (Chandramohan/Date) orders the hapless Vishwagupta (Kelkar) to kill the king.